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color bars

A video test signal widely used for system and monitor setup. The test signal, typically containing eight basic colors: white, yellow, cyan, green, magenta, red, blue, and black, is used to check chrominance functions of color TV systems. There are two basic types of NTSC color bar signals in common use. The terms “75% bars” and “100% bars” are generally used to distinguish between the two types. While this terminology is widely used, there is often confusion about exactly which parameters the 75% versus 100% notation refer to.

a) RGB Amplitudes: The 75%/100% nomenclature specifically refers to the maximum amplitudes reached by the Red, Green, and Blue signals when they form the six primary and secondary colors required for color bars. For 75% bars, the maximum amplitude of the RGB signals is 75% of the peak white level. For 100% bars, the RGB signals can extend up to 100% of peak white. Refer to the following two figures.

b) Saturation: Both 75% and 100% amplitude color bars are 100% saturated. In the RGB format, colors are saturated if at least one of the primaries is at zero. Note: In the two associated figures that the zero signal level is at setup (7.5 IRE) for NTSC.

c) The Composite Signal In the composite signal, both chrominance and luminance amplitudes vary according to the 75%/100% distinction. However, the ratio between chrominance and luminance amplitudes remains constant in order to maintain 100% saturation.

d) White Bar Levels: Color bar signals can also have different white bar levels, typically either 75% or 100%. This parameter is completely independent of the 75%/100% amplitude distinction and either white level may be associated with either type of bars.

e) Effects of Setup: Because of setup, the 75% signal level for NTSC is at 77 IRE. The maximum available signal amplitude is 100 – 7.5 or 92.5 IRE. 75% of 92.5 IRE is 69.4 IRE, which when added to the 7.5 IRE pedestal yields a level of approximately 77 IRE.

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