Created by: Silentchapel
Number of Blossarys: 95
One of the most exhibited of Klimt's portraits, it represents the clearest example of his geometrising phase, with its diagonal compositional structure and the almost inconsistent dress. The ...
An oriental note dominates in the figurines framing the Baroness. To the pyramidal structure of the subject is accompanied an abstract and serrated syntax, typical of Klimt's last output.
Enhanced by the golden frame created by Klimt's brother, Georg, the goddess Athena is portrayed in front of a frieze. The red hair comes out of the helmet so as to underscore the goddess' ...
Allegoric representation of Music, which Klimt painted several times in various renderings. Besides the lyre, symbol of music, this particular canvas emphasises the sphinx, the Silenus mask on the ...
For its evanescent rarefaction the love scene reveals its symbolist mould. The work is part of Klimt's series of Allegories and Emblems, whose intent was to translate life's most significant ...
The marked rupture cutting this composition in two parts represents several symbolic motifs: the disquieting and dark image of Death looms ove the entangled group of the human bodies, where colour ...
Also known as Black Feather Hat, the red hair and the disproportionate hat were already present in Klimt's Lady with Hat and Feather Boa. The unfinished style, unusual for the Austrian artist, ...